MAN Label Spring- Summer 2014
I don’t usually like to copy full press releases, however I will make the exception for Vivienne and Andreas as I think you will like to read it in their own worlds. My notes on the Vivienne Westwood MAN collection are to keep you eye on the squiggle print brogues (in fact all the mens shoes in this collection were particularly strong, extra in fact I wish they made some of the slipper shoes in women’s sizes because I want them so much) and the Climate Revolution jumper, they will be the key pieces of the season:
I wanted a soft more feminine feel to the clothes, more ease to the fit.
Andreas and the team took their inspiration from India. And of course the first great impression is the Indian Rajas with their heavy-lidded almond eyes and their perfumed beards, their turbans and covered in a wealth of jewels- no human creatures have ever been so wealthy.
But we passed on because I donÔÇÖt have direct experience of India. I have only my romantic impressions and our inspiration comes from museums and photographs: Hindu gods and dancing and colour and flowers and spices and tigers and the jungle and the Gangees, temples and sariÔÇÖs worn by the most elegant women, beauty and grace┬¼- and the Indian children I have met in England are lively and intelligent- a huge population, the cast system. Nothing changed after the British left in 1950. The new rulers exploited the country and its people like the old colonials.
We knew we had to have colour but we began with whites, white that shines in the sun and white that looks dusty, cream and black with texture and pattern and mixed with indigo. Then checks and prints, then some colour and colour degrade. I think the overall colour effect belongs in the light of the sun.
Does sunshine disguise poverty to the English outsider.
A few motifs from Persia or Morocco crept in. There is a feeling of being in an oriental garden.
In a recent essay Noam Chomsky summed up whatÔÇÖs happening in the world: the rich are racing as fast as they can to destroy the world, the poor are fighting to stop them.
India is the most extreme example of this. The government is selling the countryÔÇÖs mineral rights to corporations and consortiums.
(these huge profits can pay for corruption)
PhotoÔÇÖs and comments come from Arundhati RoyÔÇÖs book ÔÇÿBroken RepublicÔÇÖ.
When the land is ruined the people have nowhere to go. Maoist organization fights the evictions and when people have nowhere to go they are considered Maoists, many do join the Maoists in the forests: young people, victims of atrocity, girls and boys join them. The police steal everything they can, rape, burn; they are paid to kill. The government is increasing the police force. They are purposely creating war. Why? Because they want the people off the land. Why? Because most of the minerals the government is selling are still in the ground.
ÔÇÿThe Boghghat Dam will submerge the entire area that we have been walking in for days. All that forest, that history, those stories. More than a hundred villages. Is that the plan then? To drown people like rats, so that the integrated steel plant in Lohandiguda and the bauxite mine and aluminium refinery in the Keshkal Ghats can have the river? Who will stop the Indravati (river) from being stolen? Someone must.ÔÇÖ
(Maoists in the forest)
Why is Bradley Manning featured in a collection about India? (no turbans but military berets) Well I always highjack my collections to talk politics and Bradley is there because everything is connected.
The depredation in India is caused by the global political financial war machine. Bradley stood in the path of this great juggernaut. He told the TRUTH by exposing war crimes and documents which revealed that the purpose of our wars is perpetual war for the purpose of total plunder.
You can check out Vivienne Westwood.com for more details